Born on the Mediterranean island of Crete, thus continuously exposed to nature with all of its fury and subtlety, I was able to recognize and appreciate its splendors. This is demonstrated in my work as a realist painter, were the portrayal of nature is predominant. I enjoy painting outdoors and, weather permitting, sketching and completing paintings on sight, or taking photographs for use as future references.
        In my work, I attempt to capture the confrontation between man and nature. In the modern chaos of the urban world, I ultimately seek a tranquil corner such as a garden or a patio with flowering pots and lazy rattan chairs. Watercolor, being a very spontaneous medium, dominates my work. Using glazes of pure color, wet on wet, and dry brush techniques, I can achieve accurate depictions of the subjects I paint. Acrylic, soft pastel, ink, separately or as mixed media, are utilized in order to achieve the mood of a particular painting.
        The smooth brush strokes portray the fragile magnificence of nature and often reflect the state of mind at that moment. However, bold, free, ‘nervous’ strokes bring out the ruggedness of a rock bitten by the rough waves of the sea. Winter scenes of a peaceful pond, sun rays protruding through the meager branches of a naked tree, and the joyful play of a winter sport have also been illustrated on my canvases.
      The attainment of this point in my artistic career has required hard work and continuous practice. This task does not put an end to all of the frustration inherent in painting, but provides the incentive to try harder. Thus the participation in as many juried art shows as my schedule will permit, as well as attending workshops conducted by Canadian and American well known artists have tremendously aided my art skills.
       For the past years I have taken classes in watercolor and design, under the supervision of Mme Madeleine Dusseault, Mme Lucie Chainée, Mr. Raynald Murphy, and Mr. Max Steibel, all signature artists of the Canadian Watercolor Association and the American Pastel Society.

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